On May 12, 2007, the entire album was leaked to various P2P networks. and especially the new-wave-meets-prog of "Tempus Fugit" were better than anything the band had done in years and, doubtlessly due to the Buggle-presence, sparkled with state-of-the-art production sheen. hobbits??) Sure, it went on a bit too long, but in retrospect, it was a fine last gasp for a band concerned with "progress" in the 70s. The Fragile - NIИ 2.0. I've just read it, I couldn't make my mind up if it was a piss take or serious! The Downward Spiral. On 1974's Tales from Topographic Oceans, they simply took things too far. A Buggles era! Yes would love to meet you. Of course, this lineup would disband shortly after the record, but lessons were learned and the next time Yes graced the world with an album, the world listened. Yep, Pitchfork isn't a good indicator for an album quality, Trent put the “floppy bangs” quote in the definitive edition packaging. Possibly to recoup their rep, Yes quickly made for the studio in the hopes of turning out another masterwork. Pitchfork contributor Brent DiCrescenzo reviewed The Fragile in 1999 and the album was originally given a 2.0. The intriguing middle section of "South Side of the Sky" might've blown up like a laser light show had they recorded it in the late 70s, and even though the band had a knack for crescendos and flighty, eagle-centric lyrics, they were more likely to get high through chugging guitars and Bruford's precise drumwork than outright bombast. It was the band's first album to feature keyboardist Rick Wakeman, who replaced founder member Tony Kaye after the group had finished touring their breakthrough record, The Yes Album . I'm a bit shocked at how much the contributor hated "The Fragile". After an extended hiatus following Relayer, Yes regrouped for 1977's Going for the One, bringing grand old ham Wakeman back to record an album of much fewer pretensions than anything they'd done since Fragile. The author should be embarrassed. The band seems totally disinterested in communicating musically, and each of the four twenty-minute compositions (that's right, a double LP with four songs on it) squanders its few inspired moments. Posted in: Episode Posted on March 26, 2019 December 12, 2019 Yes: The Yes Album / Fragile / Close to the ... - Pitchfork I've listened to this album from front to end for nearly 20 years now, and every time I listen to it, its like a present. Yes may have disappeared commercially after 90125, but they're still active today in varying lineups, and have a full nine subsequent studio albums that Rhino has wisely chosen not to reissue. Of course, there's quite a nugget of truth to that image; on-again-off-again Yes keyboardist Rick Wakeman staging his Myths and Legends of King Arthur and the Knights of the Round Table album as an ice show alone demonstrates how out of hand things could get when the budget was too big and judgment was lacking. Anderson's lyrics (supposedly based on Japanese "shastrick" scriptures, wtf?) Also, songs like "White Car" and "Into the Lens" just didn't sound like Yes, rather like Yes-influenced, overblown AOR fare. That's followed by "Soundchaser", a vomit stew of jarring rhythms and bastardized funk climaxing with Anderson's infamous "cha cha cha" section. The band's crowning achievement, Close to the Edge, contains only three lengthy "songs," but each one is an absolute epic. All that firepower could have ruined the band, yet on Fragile, they put songcraft firmly over indulgence. Annot(e)tations is a column by Austin Nguyen that shines a light on the hidden gems of recently released albums or singles that may have flown under your radar. 3 years ago. "The Ancient (Giants Under the Sun)" is the most promising, opening with what should be an exhilarating passage of rushing keyboards topped by a blistering solo from Howe, but new drummer Alan White can't keep up the intensity like Bruford (by then defected to King Crimson) had, and it collapses under its own weight. Which lead to rave reviews from the difficult to please hipster website, Pitchfork, NME and Rolling Stone magazine. The Slip is the seventh studio album by American industrial rock band Nine Inch Nails, released on May 5, 2008, digitally on the Nine Inch Nails website, and on CD on July 22 by The Null Corporation. TBH 2.0/10 from Pitchfork is pretty good. What an awful music reviewing website,I mean I thought Rolling Stone was a biased website but goddamn these guys are even worse. Score. https://pitchfork.com/reviews/albums/5799-the-fragile/. i’m always falling down the same hill. Most importantly, the title track has a sense of coherent progression, tension and release that most of the band's other side-filling epics lack. 91. critic score (4) 83. user score (456) EPs. For now, don't surround yourself with yourself and move on back a square. Their egos? Yes - Fragile. I hope that review didn't do anything to the album back then. A list of Pitchfork's best music of the 1970s. Press question mark to learn the rest of the keyboard shortcuts. It couldn't last. It was the band's first album to feature guitarist Steve Howe, who replaced Peter Banks in 1970, as well as their last to feature keyboardist Tony Kaye until 1983's 90125.. Music reviews, ratings, news and more. Which is arguably a valid opinion, but comical as 5 years earlier they'd given Lateralus a 1.9. "The Fragile is simply Music for The Elder for the digital age." That said, this is an absolutely terrible review. going to war. Pretty Hate Machine. However, Squire's "Parallels" and the Beatlesque "Wonderous Stories" forecast the band's 80s rebirth as pop stars. The first 7 songs on "left" are pretty god damn great. 8 talking about this. they correct/change more reviews than rolling stone. New comments cannot be posted and votes cannot be cast, Press J to jump to the feed. I really just don't enjoy the experience of it very much, and I have some harsh criticism of it. they're shit and they've always been shit. See which albums are sitting at the top of this year's charts. I just came across this review of "The Fragile" from 1999. Of course, that really meant only one 15-minute epic instead of four, but right down to the non-Roger Dean cover art, it signaled a new start for Yes. The Fragile. Squire's bass in the majestic "Total Mass Retain" section could liquefy solid tissue at the right volume; it's almost impossible to believe it hasn't been made into a hip-hop sample yet. Fragile. The two-part "I've Seen All Good People" is one of the band's best singles, while Howe's slow, spacey guitar build at the end of "Starship Trooper" is one of the great Yes moments. But the question is, what was "fragile?" At the end of the 1970s, the band finally felt ready to embrace a new era. Odds are you already have an opinion on Yes, and since you're reading this website, there's a good chance that your view of them isn't a favorable one. It's still good but just a ton of songs that could've been saved for the "futher down the fragile" album. Pitchfork is the most trusted voice in music. Pitchfork wasn’t a big deal yet at the time, but Brent DiCrescenzo’s pan is a small masterpiece of performative snark, and it reflects a lot of the sentiment I heard around The Fragile. 1972's Fragile introduced Yes' highest-powered line-up, as the silver-cape wearing, 12-keyboard-hauling Rick Wakeman replaced the mediocre Tony Kaye. The Fragile is one of my least favorite NIN albums. I'm a bit shocked at how much the contributor hated "The Fragile". It's too bad, because relatively aggressive, driving numbers like "Future Times" and the fusion-tinged "On the Silent Wings of Freedom" weren't bad, even if the album's lack of punch throughout sucked the life out of most of the music. The most trusted voice in music. level 2 The Fragile is the third studio album by American industrial rock band Nine Inch Nails, released as a double album on September 21, 1999, by Nothing and Interscope Records. The much-delayed follow-up to 90125, Big Generator, was a dud of spectacular proportions (in all seriousness: 0.0), and few of their subsequent releases are much better. Uh oh. The transition, however, was not an easy one. LP. This record is an essential document of just how powerful prog could be when focused. Ah everyone's favorite snob music reviewing website, Pitchfork media. 9 talking about this. Temporary member Patrick Moraz shows up with his own bank of keyboards that sound even more tweaked than Wakeman's, and he pushes the band to garish new soundworlds; "Gates of Delirium" is a kind of nightmare children's book story about men (or elves? LP. We at Pitchfork Economics were saddened to learn of the passing of the brilliant economist Alan Krueger last weekend. Nevertheless, a past penchant for prog is a major skeleton in the closet for a lot of people, but as Rhino reissues the first eleven Yes studio albums, it feels as good a time as any to let the bones rattle in public. Pitchfork points to fan-shot YouTube footage of Rocky’s set at Real Street Festival; check it out below, ... Nine Inch Nails’ The Fragile Is Trent Reznor’s Epic Return. As someone who enjoys Tool I loved when they gave 10,000 Days a 5.9 claiming it wasn't as good an album as Lateralus. Oh right: it was Anderson, and he left right after this record. A list of Pitchfork's best music of the 1970s. Howe also shows off his acoustic chops on "The Clap", a rollicking rag that bears little resemblance to anything else in the band's catalog (the original album version was a live recording, the reissue also appends a slightly crisper studio version). Drummer Bill Bruford and bassist Chris Squire (the only member to appear on every Yes album) were a tight and angular, almost funky rhythm section by this point, while Howe's slashing guitar parts fit nicely into that mix. The guy who gave The Fragile a 2.0 (Brent "The Cringe" DiCrescenzo) also gave St. Anger a 0.8 and gave Lateralus a 1.9. The audience doesn't care about your timestamps. On Drama, Horn had simply attempted to emulate Jon Anderson, but by the time he produced 1983's 90125 for the (yet again) newly reformed and reconfigured Yes, he had become the synth-pop genius behind ABC, Frankie Goes to Hollywood and the Zang Tuum Tumb label, and gets no small share of credit for reinventing Yes as a hit 80s pop band. (At the bottom) Close. Try listening to "Roundabout" or "I've Seen All Good People" without getting them stuck in your head. level 2. Gallipoli is the follow-up to No No No. ... pitchfork.com. Trevor Horn and Geoff Downes, possessing neat new synthesizers and actual MTV experience, joined for 1980's Drama, and paved the way for a decade of Yes at their most pop-friendly. Archived. Even Wakeman was so disgusted that he quit after the album's completion. "And You and I" is arguably the ten most gorgeous minutes Yes ever laid to tape. Despite the fact that a formidable portion of the music we love (anyone from Radiohead and Super Furry Animals to Hella) is directly influenced by Yes and their prog-rock peers, we tend to look at the early 70s through punk's distorting lens, and that lens shows us images of dinosaur muso wankers lumbering from stadium to stadium with comically oversized light shows and Victorian clothing (never mind that punk itself became a mill of convention and spectacle in only a few short years). However, in spite of the flashy musicianship that made Relayer a fan-favorite, the record is all but unlistenable to the rest of the world. There's way too much filler on the album. The title track dominates all of side one of the original LP, rushing in with a burbling, dissonant intro, Howe's jagged riffing and Wakeman's fluttering fingers building a dense, overpowering texture. You could just sorta feel that Trent, being deep into addiction, completely lost his editorial voice and just kept everything. Primary offenders on an album among the most hated of all hated Yes records include the flat, rigid "Don't Kill the Whale", in which Wakeman managed to insert ridiculously baroque synth stylings into a would-be Greenpeace disco protest anthem, while Anderson pleads with us to "dig it." stereogum.com. Chris Dahlen, Dominique Leone & Joe Tangari. Furthermore, the album's lone concession to headier days and side-length symphonettes, "Awaken", was a fairly amazing example of how Yes could fuse new age sentiments and reverb-drenched tinker-bell soliloquies, yet somehow come out unscathed. It was produced by Nine Inch Nails frontman Trent Reznor and longtime collaborator Alan Moulder. Nine Inch Nails Articles and Media. This week, he discusses FKA Twigs’ “home with you.” When I first started doing this in my sophomore year … Common thread across the music subs I scribe to. Fragile is the fourth studio album by the English progressive rock band Yes, released on 26 November 1971 by Atlantic Records. This album showcases Yes at their most concise, and is probably the best starting point. The leaked version of the album includes a song entitled "Section 27 ". Fav Tracks: Somewhat Damaged, The Day the World Went Away, We're in This Together, La Mer, Into the Void Least Fav: Pilgrimage Beirut Announce New Album and Tour, Share Song: Listen. For all their lengthy songs, virtuoso musicianship and softheaded philosophical musings, Yes were fundamentally approachable, even radio-friendly. 88. I love The Fragile but still think it would've been better as one album of 10-15 songs instead of a double album. I remember the Fragility tour quite well. There's a lot of filler on that album (great filler but still). All three of these reviews are just as snarky, dismissive, edgy, … The title track, with Howe's great steel-guitar opening riff, did indeed reveal a band that still knew how to rock even if lyrics like, "Get the idea cross around the track, underneath the flank of a thoroughbred racing chaser," exposed their hippie-mystic trappings. The extensive drum and horn samples on "Owner of a Lonely Heart" and the glowing a capella on "Leave It" turned those songs into radio hits; but just when you think they've sold out, they write elaborate pop songs like "It Can Happen" or characteristically bizarre lyrics like, "This world I like/ We architects of life," or, "Your heart is inside your head." 10 hours ago. I've listened to this album from front to end for nearly 20 years now, and every time I listen to it, its like a present. https://pitchfork.com/reviews/albums/5799-the-fragile/. "When the power of love justifies our means to hate, the very door hinges upon that of The Fragile Fate". Genesis, ELP, and King Crimson were the others, and listening back to them, it's easy to see why Yes won out. They had gone from these huge arenas to now playing smaller-ish venues that didn't even sell out. 69. critic score (6) 83. user score (313) 1994. On April 26, 2007, an eight-minute-long mash-up preview of the album was made available as a free download. Nine Inch Nails; The Fragile (2017 Definitive Edition) / The Fragile: Deviations 1 Still, if you can handle the style-disconnect, 90125's songcraft makes it one of their tightest records. It was kinda sad actually. Perhaps inspired by the fact they didn't all hate each other after finishing Going for the One, Yes took the same lineup in for 1978's Tormato. Feel free to forgo the band's first two albums with guitarist Peter Banks (we did), records that feature a band still finding its feet and occasionally hitting on something great, like "Astral Traveler", but often stumbling. LP. When you move beyond the pageantry and pomp, though, you're left with some pretty interesting music. The battle between the perfectly balanced arrangements-- as on classic rock radio staples "Roundabout" and "Long Distance Runaround"-- and each virtuoso's need to grandstand, vented through five solo interludes (most memorably Steve Howe's "Mood for a Day")? Perhaps Schrieber sensed that because Pitchfork’s reviewers were themselves amateurs—in another context, commenters—a commenting feature would have threatened the fragile … We were fortunate to speak with him last year – here’s the full conversation. With Anderson's and Wakemen's defections, Yes recognized that they could no longer continue in the same lackluster manner as on Tormato. Likewise, a pretty choral verse intervenes toward the end of "The Remembering (High the Memory)", but comes too late to salvage the listless keyboard washes and lame noodling. It was exactly this type of excess that had fans saying "no" to Yes for the first time in their career. However, … Early 00s pitchfork was a cringe meta-“edgy” contrarian indie pop music circle jerk website that shat over any “edgy” (read: complex or progressive) music, this aligns pretty well with: Lateralus - Tool 1.9. And as an editor, there are some grammar issues (e.g., "Why does Trent Reznor thinking he can succeed?"). This line-up formed practically from scratch, bringing Squire and White back together with Anderson and the long-lost Tony Kaye; Trevor Rabin-- the only one who didn't bleach his hair-- completed the band with an 80s hard rock guitar sound that's the most dated thing about the record. Oh fuck off pitchfork, your simply the buzzfeed of music. November 26, 1971. It was recorded throughout 1997 to 1999 in New Orleans. Of course, there's a certain ridiculousness to the grandiose Roger Dean artwork, would-be poetic lyrics (random sample: "Battleships, confide in me and tell me where you are! Music reviews, ratings, news and more. "Heart of the Sunrise" still holds up as a deftly constructed proto math-rock epic, and Jon Anderson would never sing a lyric as plainly as "I feel lost in the city" again. The band recreates the battle in a jaw-droppingly over-the-top instrumental that fades into a longing, eerie finale. POBPAH ‘s self titled album was released from Oakland, Ca based record label, Slumberland Records. That leaves "Siberian Khatru" to close out the album with nine minutes of hook-stuffed organ and guitar interplay, understated harmony vocals and more of Squire's chunky, front-and-center bass playing. The album was released on TVT Records on June 19, 2007. The Fragile: Deviations 1 represents Atticus and I embellishing the original record with a number of tracks from those sessions we didn’t use before. It signaled the death of altnernative rock as it completely bombed at record stores. are pure astral hogwash, and even worse, they're printed so you can read them. @Pitchfork. 84. critic score (6) 87. user score (872) 1989. 286. This is hilarious. The Fragile | Old Pitchfork Review. "), and multi-part suite naming formulas-- but then, that's part of why Yes got listened to in the first place. Yes were the most popular and longest lasting of the quartet of bands that defined progressive rock in the early 70s. It begins humbly, with twelve-string acoustic guitar, rises through mellotron-soaked crescendos, and then does it all again, building to a huge closing climax called "Apocalypse", essentially laying out the blueprint for Sigur Rós. They included a quote from the fucking Pitchfork review on the booklet that came with The Fragile: Definitve Edition. Someone once told me that this is what they should have blasted at Noriega to drive him out of that nunnery; casual listeners turned their backs on this mess, while fans that could appreciate its dissonant, virtuosic extremes hid under their headphones and just kept basking. The album was the first by the band not to feature any cover versions of songs. The idiot-kings of the moribund record industry, shuddering at the death of the compact disc, must have wept at … "When the power of love justifies our means to hate, the very door hinges upon that of The Fragile Fate". 2 talking about this. "When the power of love justifies our means to hate, the very door hinges upon that of The Fragile Fate". And "To Be Over" would've been pretty if they hadn't jammed it with instrumentals. Most people didn't like The Fragile when it came out. 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