Pitchfork is the most trusted voice in music. Feb. 5, 1964 Paul McCartney, foreground, and the rest of the Beatles held a news conference in London in early February 1964, upon returning from a residency in Paris. Paul McCartney: McCartney III album cover. New. The point is that, as different as “McCartney III” is from “Egypt Station,” it’s also that much different from the techno-pop of “McCartney II” — sorry to say, there is nothing here that reaches the polarizing heights of “Temporary Secretary” (or all-time lows, if you’re just completely on the wrong side of things). The similarly titled, similarly long “Deep Deep Feeling,” however, is completely charming for eight and a half, with Kurstin (whose presence indicates an “Egypt” outtake) playing jazz chords on the piano as the tripart epic has McCartney in the throes of “the deep, deep pain of feeling” and “thrill of living.”, Watch H.E.R. Because when it comes to that, “III” doesn’t really have one — it’s all over the place, and delightfully so, even if he occasionally lands upon a subgenre that you wish he stuck with for more than a song or two. 187 Paul McCartney has always had what you might call a ‘get out of jail free’ card when it comes to his songs and compositions, in the form of his ability to construct and sing wonderful melodies. While many raved over his latest solo album, others yawned loudly, implying that at 78, McCartney might be a bit past his expiration date. But really, there isn’t a cut out of the thirteen on New that doesn’t make a compelling argument for McCartney continuing to produce music. Variety and the Flying V logos are trademarks of Variety Media, LLC. There is also an emphasis on combining different musical styles and sounds throughout the album. Last year’s reissue of Ram reminded those rendered cynical by Paul McCartney’s recent output, a mixture of headscratchingly noisy and predictably schmaltzy, that the sweetest Beatle is one of the best pop songsmiths of all time, sans argument. In 2020, McCartney has used his time to write and record a new album, McCartney III. I guarantee this album will not disappoint. Album reviews: Paul McCartney – III Imagined and AJ Tracey – Flu Game. He doesn’t have to make records anymore. While the verses are a rose-tinted reminiscence of McCartney and John Lennon’s brief period of pre-fame friendship in Liverpool, the choruses project something altogether different: “They can’t take it from me/ if they try/ I lived through those early days.” Whereas most of his hippie-era pop contemporaries enthusiastically embraced self-hagiography decades ago, McCartney’s relationship with nostalgia is complicated, and fraught with skepticism, and by embracing these complications he offers an understandably human portrait of a position few of us will ever find ourselves in: watching your life story being converted into mythology by forces outside of your control. Where so many of his collaborators of the past forced a sound aesthetic on him, here he is free to allow the studio ambience and guitar tones to carry youthful quirks. 67. He’s found some enthusiastic partners in this in the album’s four producers, each of whom approaches the collaborative challenge from a different angle. Here, McCartney is more bare bones, both musically and lyrically, and it is perhaps some of the best music he has ever written. Sing ‘Fight for You’ on the Oscars Pre-Show Telecast, Watch Leslie Odom Jr. 10/10. Pepper man. His previous release, 2018’s “Egypt Station,” created with a full band and big-name producers like Greg Kurstin and Ryan Tedder, had its quirks but was clearly designed as the kind of commercial project that would not just reinstate the former Beatle at No. Trad-rock specialist Ethan Johns gives two of the album’s acoustic moments, “Early Days” and Hosanna" an intimacy that’s almost painfully raw. McCartney III. For “McCartney III Imagined,” Phoebe Bridgers took on “Seize the Day,” a track from Paul McCartney’s 2020 album. His fellow Boomer musicians could learn a lot from him. A lot has been made about how busy McCartney’s been keeping himself well past retirement age, and much should be: it’s gratifying and inspiring to see the pop musician who arguably most deserves to rest on his laurels steadfastly refuse to do so. Worst of 2013. Maybe a third or so of the new record will remind you in some way of that first ’70 solo album, which we might as well go ahead and call “McCartney I,” by virtue of fitting a mode that figuratively or literally seems pastoral. The soul of the entire album is not in that kind of brevity: “Deep Down” lasts six minutes, and admittedly overstays its welcome by about three. Paul McCartney New Hear Music [2013] Fire Note Says: Paul McCartney returns with one of his strongest modern-era albums. Over 13 tracks, McCartney proves he’s a better Paul than 2007’s Memory Almost Full, a more romantic Paul than 2005’s Chaos and Creation in the Backyard, a more inventive Paul than 2001’s Driving Rain, and a more nostalgic Paul than 1997’s Flaming Pie. An elemental drumbeat kicks it off, followed by McCartney's otherwise unaccompanied vocal. Album Review: Paul McCartney has been has been on quite a winning streak lately. But at 71, Paul McCartney has thankfully returned to … Forced to stay inside like the rest of the world during the coronavirus pandemic, McCartney had to rely on his own talents to create the songs. Recent Reviews. Paul McCartney – ‘McCartney III’ review: an unpredictable quest of musical evolution Like the rest of us (OK – not quite like the rest of us), Macca's been whiling away the hours. It is a suitable addition to the ‘McCartney’ series. Paul McCartney was asked during a recent website Q&A if he’d consider remaking any of his past albums, which would include The Beatles and Wings, especially with his ‘Reimagined’ album featuring artists reworking his recent solo songs coming out. Adele and Florence and the Machine producer Paul Epworth revives the taut, nervy postpunk sound of his early work with Bloc Party for the album-opening “Save Us", and injects the single “Queenie Eye” with aggressively punchy compression and generous splashes of noise. Paul McCartney Gets Lovably ‘Ram’-shackle With the DIY ‘McCartney III’: Album Review. Best of 2013. Make no mistake: Though the album has its share of pleasingly ramshackle numbers, there are a good number of “real” songs here, ones you can imagine fitting in on “Flaming Pie” (which had a deluxe reissue this year) or “Chaos and Creation in the Backyard.” But it’s some of the goofier or slightly more experimental tracks that, for a certain breed of fan anyway, make the ramshackle “III” even easier to love than the more formal “Egypt Station.” Think of them as throwaways you don’t actu- ally want to discard, like the two-minute rocker “Lavatory Lil,” which tells us that whoever came in through the bathroom window turned out to be a gold digger. From the moment it opens with the insistent, propulsive "Save Us," this is a bright, vivid pop album, robust with color and so confident in its … Club. Full Review. 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