She even had the forethought to open her own dye factory which produced the inimitable 'Lanvin blue.' This room, created by the designer Armand-Albert Rateau for Jeanne Lanvin’s private apartment, is a perfect illustration of Rateau’s innovative style combining classical art, an original bestiary and a taste for precious materials. The Great Jeanne Lanvin. A Look Inside the Offices of Fashion Designer Jeanne Lanvin Video from the Archives, Jeanne LANVIN in fittings Breton suit Jeanne Lanvin, 1867 – 1946 House of Lanvin: 1889 – Present Primary influence verbal instructions to a team of sketchers one of the first couturiers to design New York: Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, 2009.300.2860. Evening dress, 1925. Lanvin became the first house to dress the whole family! Jeanne Lanvin was a French designer in the late 1800s and early 1900s in France. Jeanne Lanvin headed one of the premier Paris couture houses of the 1910s and 1920s, even though her "pretty" dresses contrasted sharply with the slim, almost androgynous aesthetic of that period. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Helen Appleton Read, 1962. The most famous couturiers of the era were Jeanne Lanvin and Chanel. 6 - Jeanne Lanvin (French, 1867–1946). Lanvin was one of the greatest couturiers of the 20 th century. (See comments on 1920’s further down). Jeanne Lanvin - Parisian Fashion Designer - 1920. A robe de style dress featured a close fit on top and a longer, fuller skirt on the bottom. In 1914, Jeanne Lanvin moved to the Eastern-style, using velvets and satins, reflections upon the impact these designs had in 1910 – 1911 and onwards. Silk, metal. Lanvin's aptitude can be seen through her house's 1920s expansion into fur, lingerie, men's wear, household goods and perfume. The skirt is stitched in the colors which appear in the cashmere. During an event thrown by fashion designer Paul Poiret in 1920, Jeanne Lanvin met renowned architect-decorator Armand-Albert Rateau, who had just graduated from the famous École Boulle.Together they decided to create a pavilion dedicated to the art of living at 15 rue du Faubourg Saint-Honoré. What was a woman to do in the 1920s if she did not want the boxy chemise silhouette of a flapper?Chances are she went for the softer, more classic robes de style look that was ushered in by French designer Jeanne Lanvin. And Jeanne did understand that fashion isn’t just about clothes, it is a way of life and in the 1920s she already opened shops devoted to home décor (Lanvin Décoration, at 15 Rue du Faubourg Saint-Honoré), sportswear, menswear, furs, swimwear and lingerie. (See comments on 1920’s further down). 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